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16 Horsepower manoeuvres
By Gunter Jacobs
Sad songs give energy.
"I've got to make music. It is my duty to make the most of this gift with
which I am blessed and that I am responsible for. Not that I have already
come that far, but I am working on it".
16 Horsepower entered through the main gate. On the stages of
Torhout/Werchter and Pukkelpop the band members blinked their eyes
uncomfortably. Their music does not tolerate that much daylight. "But festivals are important to us. In this way we reach the masses, as our songs are hardly being played on the radio", Edwards says.
Actually he has no cause for complaint. After the untitled debut mini-album
and the very favourably received Sackcloth 'n Ashes CD, the new record Low
Estate, produced by P.J. Harvey's right hand John Parish, places 16
Horsepower in the spotlights even more. "That recognition gives us more
possibilities. We grow as a band and gain in self-confidence.
"Music has always occupied an important place in my life. From childhood on
I heard melodies in church. Later I discovered rock and punk. For a long
time I didn't know what kind of music I wanted to make myself. Actually I
still don't know. There are constants but you should not ask me whether 16
Horsepower will evolve in a quieter or a louder direction.
16 Horsepower is in many respects an old-fashioned band: the dilapidated
instruments, the nostalgic cover-photos. "I have a weakness for old photos,
old clothes, old instruments, old music", Edwards says. "There is something
romantic about it, that's the way in which I want to present myself. You can
call it our style."
"We do not fit in with the alternative music-scene, but people place us in
that category because they do not know what else to do with us. I do not
necessarily have to be kept informed about the latest hype. When I am at
home I spend time with my wife and children. The latest record that I really
liked was "The boatman's call" by Nick Cave. Further I mostly listen to old
music, from bluegrass to Bob Dylan records, but also to Sonic Youth and U2"
Drummer Jean-Yves Tola says he is only touched by sad music. "Cheerful music
is too volatile and one gets easily bored with it. In those sad songs I hear
passion. They touch me and they give me energy."
Is 16 Horsepower's music art or entertainment? -Low Estate (A&M/Polygram ***)
Translation by Petra
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